This week’s episode of Family Guy included a clip from 1980s Nintendo video game Double Dribble showing a glitch to get a free 3-point goal. Fox obtained the clip from YouTube where it had been sitting since it was first uploaded in 2009. Shortly after, Fox told YouTube the game footage infringed its copyrights. YouTube took it down.
Source: Fox ‘Stole’ a Game Clip, Used it in Family Guy & DMCA’d the Original – TorrentFreak
“Psycho dentist” video remains up, and the attempt to remove it was costly.
Source: Dentist said to hit patients will pay $12k for trying to out YouTube critic | Ars Technica
A software pirate is facing the most unusual punishment ever seen in a copyright infringement action. The man lost a case brought by an anti-piracy group but couldn’t pay damages, so instead agreed to star in PSA showcasing his life as a pirate. If that film doesn’t get 200K hits on YouTube, he’ll be required to pay a large fine.
Source: Busted Pirate Told to Get 200K YouTube Hits or Face Huge Fine – TorrentFreak
A recording of Kim Dotcom and several Universal Music executives captured two days before the Megaupload raids has revealed the label planning to do a deal with the entrepreneur. Amid discussion of ‘taxing’ Google by diverting its ad revenue to the label, the execs offered to downgrade Dotcom from “evil” to “neutral” in return for dropping legal action over the “Mega Song”.
Source: Universal Music and Kim Dotcom Prepared a Deal to Tax Google – TorrentFreak
An anti-piracy firm working for Columbia Pictures has hit Vimeo with a wave of bogus copyright takedowns just because people used the word ‘Pixels’ in their video titles. Several indie productions are affected, including an art-focused NGO, an award-winning short movie and a royalty free stock footage company.
Source: Anti-Piracy Group Hits Indie Creators For Using the Word ‘Pixels’ – TorrentFreak
While in previous years people were simply grateful to have somewhere to host their own vides, these days a growing number of YouTube users rely on the site to generate extra cash.
Earning money with YouTube is now easier than ever, with some ‘YouTubers’ even making enough to invest in a mansion.
For others, however, the environment created by the Google-owned video platform is far from perfect, with complaints over the company’s Content ID anti-piracy system regularly making the news. Now YouTuber Benjamin Ligeri is adding his name to the disgruntled list.
In a lawsuit filed at the US District Court for the District of Rhode Island which lists Google, Viacom, Lionsgate and another YouTuber as defendants, Ligeri bemoans a restrictive YouTube user contract and a system that unfairly handles copyright complaints.
Ligeri says that he has uploaded content to YouTube under the name BetterStream for purposes including “criticism, comment, news reporting, teaching, scholarship, and/or research,” but never in breach of copyright. Nevertheless, he claims to have fallen foul of YouTube’s automated anti-piracy systems.
One complaint details a video uploaded by Ligeri which he says was a parody of the film The Girl With the Dragon Tattoo. It was present on YouTube for a year before a complaint was filed against it by a YouTube user called Egeda Pirateria.
“Defendant Pirateria is not the rightful owner of the rights to The Girl With the Dragon Tattoo, nor did the Plaintiff’s critique of it amount to copying or distribution of the movie,” Ligeri writes.
However, much to his disappointment, YouTube issued a copyright “strike” against Ligeri’s account and refused to remove the warning, even on appeal.
Remember a few years ago when Apple got in trouble for conspiring with book publishers to raise ebook prices to hurt Amazon and the public? Apparently the company hasn’t learned very much. Today comes a report from the Verge, claiming that the DOJ is now investigating Apple for conspiring with the major record labels to get them to kill off Spotify’s free tier, in an effort to better promote its own Beats Music service, which has no free tier.
Apple has been using its considerable power in the music industry to stop the music labels from renewing Spotify’s license to stream music through its free tier. Spotify currently has 60 million listeners, but only 15 million of them are paid users. Getting the music labels to kill the freemium tiers from Spotify and others could put Apple in prime position to grab a large swath of new users when it launches its own streaming service, which is widely expected to feature a considerable amount of exclusive content. “All the way up to Tim Cook, these guys are cutthroat,” one music industry source said.
And it’s not just Spotify. Apparently, Apple was trying to get labels to pull music from YouTube too:
Sources also indicated that Apple offered to pay YouTube’s music licensing fee to Universal Music Group if the label stopped allowing its songs on YouTube. Apple is seemingly trying to clear a path before its streaming service launches, which is expected to debut at WWDC in June. If Apple convinces the labels to stop licensing freemium services from Spotify and YouTube, it could take out a significant portion of business from its two largest music competitors.
Nintendo’s never-ending desire to control how YouTubers review its games or do “let’s plays” has been laughable from the start. From the trust-destroying agreement YouTubers had to enter into in order to get access to visual content to the beauracratic nightmare individuals had to wade through just to get a video approved for monetization, the whole thing started off on messy footing. And the biggest issue in all of this: Nintendo still can’t seem to grasp that these YouTubers are giving the company free advertising. Gamers love the kinds of videos these YouTubers produce. They use them to make purchasing decisions, to become interested in new games, and to fuel word-of-mouth advertising that no trumped up ad campaign could ever possibly hope to achieve. Why make any of that more complicated by creating an approval system for the videos? And, more importantly, why take away the incentive for fans to promote your games by demanding a share of their YouTube revenue?
Well, the program that’s a mere few months old has already resulted in the first major YouTuber proclaiming that Nintendo games will no longer be covered. Angry Joe (Joe Vargas) has one hell of an online following in the gaming YouTuber community and, following a spat over his Mario Party 10video, Nintendo is dead to him.
Joe “Angry Joe” Vargas, who commands nearly two million subscribers on YouTube, has decided to stop covering Nintendo games, following a dispute over a Mario Party 10 video. Angry Joe’s Mario Party 10 video was flagged by YouTube, and while it’s possible for him to keep the video online, he can’t make money off it. It’s easy to imagine why he’s upset.
He tweeted about the decision a few days ago:I hope @NintendoAmerica enjoyed the free ad revenue & coverage I generated for em. It will be my last Nintendo video. pic.twitter.com/07797eA7W4 — Joe Vargas (@AngryJoeShow) April 4, 2015
That sort of says it all, doesn’t it? Millions of gamers who went to Angry Joe for help in where to spend their gaming dollar will no longer be directed by Joe to Nintendo games via reviews and gameplay footage. For Angry Joe followers, Nintendo might as well not exist. What’s particularly insane about this is that the YouTuber Nintendo affiliate program described above wouldn’t even have applied to this particular video, since some Nintendo games, Mario Party 10 among them, don’t even qualify for coverage under the program. Why Nintendo would seek to piss off a popular YouTuber over a video for a game that wouldn’t have been granted the okay under the affiliate program is beyond me.
Here’s a case where Nintendo has locked up 100% of the ad revenue on Angry Joe’s video, despite the fact that it’s not Nintendo’s copyright-covered content viewers are coming to watch. That’s not only unfair, it’s biting the very hand feeding Nintendo’s coffers and sending the company new customers. This is the first major YouTuber to jump off the Nintendo ship, but it almost certainly won’t be the last.
Faced with mounting international pressure over the Falkland Islands territorial dispute, the British government enlisted its spy service, including a highly secretive unit known for using “dirty tricks,” to covertly launch offensive cyberoperations to prevent Argentina from taking the islands.
A shadowy unit of the British spy agency Government Communications Headquarters (GCHQ) had been preparing a bold, covert plan called “Operation QUITO” since at least 2009. Documents provided to The Intercept by National Security Agency whistleblower Edward Snowden, published in partnership with Argentine news site Todo Notícias, refer to the mission as a “long-running, large scale, pioneering effects operation.”
At the heart of this operation was the Joint Threat Research and Intelligence Group, known by the acronym JTRIG, a secretive unit that has been involved in spreading misinformation.
The British government, which has continuously administered the Falkland Islands — also known as the Malvinas — since 1833, has rejected Argentine and international calls to open negotiations on territorial sovereignty. Worried that Argentina, emboldened by international opinion, may attempt to retake the islands diplomatically or militarily, JTRIG and other GCHQ divisions were tasked “to support FCO’s [Foreign and Commonwealth Office’s] goals relating to Argentina and the Falkland Islands.” A subsequent document suggests the main FCO goal was to “[prevent] Argentina from taking over the Falkland Islands” and that new offensive cyberoperations were underway in 2011 to further that end.
Tensions between the two nations, which fought a war over the small archipelago in the South Atlantic Ocean in 1982, reached a boil in 2010 with the British discovery of large, offshore oil and gas reserves potentially worth billions of dollars.
The British government frames the issue as one of residents’ self-determination. Prime Minister David Cameron maintains that the islands will remain British as long as that was the will of their inhabitants, “full stop, end of story.”
Argentine President Cristina Kirchner, known for her provocative, left-leaning foreign policy since taking office in 2007, rallied regional and international leaders to pass resolutions in international bodies supportive of Argentina’s claim to the islands and stand against what she called the U.K.’s “downright colonialism.”
Even the United States, Britain’s closest ally, declined to support the U.K. position, instead offering to mediate a resolution between the two sides in 2010. Prime Minister Cameron rejected the proposal, calling it “disappointing.”
GCHQ’s efforts on Argentina and the Falklands between 2008 and 2011, the time period the documents cover, were broad and not limited solely to JTRIG. Surveillance of Argentine “military and Leadership” communications on various platforms was a “high priority” task. Despite the Obama administration’s unwillingness to publicly back their ally, NSA assistance was ongoing as of 2010. According to an NSA “Extended Enterprise Report” dated June 2008, based on NSA officials’ meetings with GCHQ representatives, Argentina was “GCHQ’s primary interest in the region.”
It would be fair to say that the relationship between the world’s major recording labels and streaming music service Grooveshark is a rocky one at best.
Founded in 2006 as a site where users could upload their own music and listen to streams for free, friction with record companies built alongside Grooveshark’s growth. EMI first filed a copyright infringement suit against the company in 2009 but it was withdrawn later that year after the pair reached a licensing agreement.
Since then there have been major and ongoing disputes with the labels of the RIAA who accuse Grooveshark of massive copyright infringement. Those behind the service insist that Grooveshark is simply a YouTube-like site which is entitled to enjoy the safe harbor protections of the DMCA.
Part of Grooveshark’s DMCA responsibilities is to remove infringing content once a copyright holder asks for it to be taken down. Grooveshark doesn’t publish any kind of transparency report but there is nothing to suggest that in 2015 it doesn’t take that responsibility extremely seriously.
However, Google’s transparency report reveals that the world’s major recording labels are currently hitting Grooveshark particularly hard. In fact, between the RIAA, IFPI and several affiliated anti-piracy groups, Google handled 346,619 complaints during the past month alone, with up to 10,000 URLs reported in a single notice.
