Is the process of copyright trolling protected by the First Amendment? That appears to be the claim that both Rightscorp and Warner Bros. are making in response to a class action lawsuit filed against them.
Back in November, we wrote about a class action lawsuit filed against Rightscorp, by lawyer Morgan Pietz. Rightscorp, of course, is a company trying (and mostly failing) to make copyright trolling slightly more respectable by shaking down accused infringers (based on a questionable methodology) for somewhat lower amounts than traditional copyright trolls. Morgan Pietz, if you don’t know, is one of the key lawyers who helped take down infamous copyright troll Prenda Law — so his involvement was noteworthy.
Since November, when the lawsuit was initially filed, there’s been some back and forth in the lawsuit (and even the main named plaintiff has changed). In the first amended complaint that was filed last month with new lead plaintiff, John Blaha, the claims about violations of the Fair Debt Collection Practices Act have been removed, to focus mainly on violations of the Telephone Consumer Protection Act and abuse of process. The TCPA bans autodialing telemarketers, and Pietz is trying to argue that Rightscorp’s autodialers fall under this law. The abuse of process claims focus on how Rightscorp got access to various people to shakedown, using DMCA 512(h) subpoenas. This is the process — which courts have clearly rejected — by which copyright trolls think they can issue subpoenas to ISPs about potential infringers, without first filing a lawsuit. Every few years, copyright trolls think they’ve newly discovered this loophole even though the courts have rejected it. The lawsuit has also added key Rightscorp clients, Warner Bros. and BMG, as defendants as well.
Last week, Rightscorp responded [pdf] by arguing that the case should be dismissed under California’s anti-SLAPP law. Now, we’ve been huge supporters of California’s anti-SLAPP law and believe that we need a similar federal anti-SLAPP law. Anti-SLAPP laws allow defendants to quickly get lawsuits dismissed when it’s clear those lawsuits are nothing more than attempts to silence their public speech (SLAPP standing for “Strategic Lawsuit Against Public Participation.”) However, I’m hard pressed to see how robocalling someone demanding they pay up or get sued is “public participation” in any way.
Tag: California
State Legislators Pushing Bills To Shield Police Officers From Their Own Body Camera Recordings
Police accountability remains a major concern. Lawsuits alleging improper police conduct are filed seemingly nonstop. The Department of Justice continues to investigate police department afterpolice department for a variety of civil rights violations. More and more police departments are equipping body cameras on their officers in hopes of trimming down the number of complaints and lawsuits filed against them.
Meanwhile, the public has taken police accountability into its own hands, thanks to the steady march of technology — which has put a portable phone in almost every person’s hands, and put a camera inside most of those phones.
So, we have two entities viewing accountability from seemingly opposite directions. Over the years, many officers have made it clear through their actions that being filmed isn’t something they’re comfortable with. This has resulted in additional misconduct and abuse of existing laws to shut down recordings. But what are these officers going to do when a city council — or worse, a Memorandum of Understanding with the Justice Department — directs them to start generating their own recordings?
One answer has already been presented by the Denver Police Department. They simply won’t activate the cameras.
During a six-month trial run for body cameras in the Denver Police Department, only about one out of every four use-of-force incidents involving officers was recorded.
Cases where officers punched people, used pepper spray or Tasers, or struck people with batons were not recorded because officers failed to turn on cameras, technical malfunctions occurred or because the cameras were not distributed to enough people, according to a report released Tuesday by Denver’s independent monitor Nick Mitchell.
This is a case-by-case “solution,” self-applied as needed by certain officers. For other departments, it appears the imposition of recording devices will be greeted by legislation. Legislators cite “privacy concerns” but their bills do little more than hand law enforcement agencies full control over body camera recordings.
Lawmakers in at least 15 states have introduced bills to exempt video recordings of police encounters with citizens from state public records laws, or to limit what can be made public.
Their stated motive: preserving the privacy of people being videotaped, and saving considerable time and money that would need to be spent on public information requests as the technology quickly becomes widely used.
A small amount of redaction (face-blurring, etc.) would address the privacy concerns. After all, reality TV pioneer COPS has run for years with minimal privacy complaints and that’s all it’s ever used. As for the latter concern — expenses related to open records requests — there are ways to address this that won’t cede complete control to law enforcement agencies. Seattle’s Police Department worked with a local activist to find a solution that would provide footage, protect privacy and stay ahead of voluminous public records requests. Unfortunately, the result of these efforts has produced nothing more than extremely blurry footage in which everything is “redacted” by default.
Justifications offered by legislators try desperately to skew law enforcement’s total control of body camera footage as some sort of win for the general public.
“Public safety trumps transparency,” said Kansas state Sen. Greg Smith, a Republican. “It’s not trying to hide something. It’s making sure we’re not releasing information that’s going to get other people hurt.”
The problem is that if it’s the public being abused in these videos, there are very few options available to obtain recordings of misconduct.
The Kansas Senate voted 40-0 last month to exempt the recordings from the state’s open records act. Police would only have to release them to people who are the subject of the recordings and their representatives, and could charge them a viewing fee. Kansas police also would be able to release videos at their own discretion.
The “fix” for possibly overbroad public records requests includes a) making acquiring a recording unaffordable, even for the person on the receiving end of alleged abuse and b) allowing the Kansas police to push out a steady stream of exculpatory video. The latter of the two is perfectly acceptable, but only if it’s balanced by the public’s ability to obtain less-than-flattering video of interactions with police officers. Nothing about this bill makes the public any “safer,” no matter what Sen. Greg Smith says.
The potential for abuse of laws like these is so obvious even the cops can see it.
“I think it’s a fair concern and a fair criticism that people might cherry pick and release only the ones that show them in a favorable light,” said former Charlotte, North Carolina, police chief Darrel Stephens, executive director of the Major Cities Chiefs Association.
Arizona’s legislation goes even further than its Midwestern counterpart.
The bill declares that body camera recordings are not public records, and as such can be released only if the public interest “outweighs the interests of privacy or confidentiality or the best interests of the state.”
Not even the subject of the footage can demand a copy of the recording without somehow talking a judge into issuing an order for its release. Washington’s proposed legislation similarly exempts all body camera video from public examination and routes footage requests through the courts. In both cases, bill sponsors claim publicly-released video could be used for “criminal purposes,” but have yet to explain how a properly-redacted video would become a tool for “extortion” by “unscrupulous website owners.”
The attendant irony hypocrisy, of course, is that law enforcement agencies and local governments have declared arrest mugshots to be public records and have allowed “unscrupulous website owners” to post the shots and demand payment for their removal. But mugshots only involve members of the public, making them of lesser concern than footage that will also contain police officers. This sort of legislation is nothing more than the codification of a double standard, if that’s the motivation behind it.
On the other hand, some states are at least moving to ensure the general public can continue their unpaid police accountability efforts.
The Colorado bill, which you can read here, states that if a cop seizes a camera from a citizen without permission or a warrant or deliberately interferes with a citizen’s right to record by intimidation or destruction of the camera, the citizen is entitled to $15,000 in civil fees in addition to attorney fees.
This bill will help ensure at least one recording of an officer-involved incident remains intact, seeing as Denver police officers aren’t all that into capturing their end of these interactions.
Another bill in Texas which has not gotten nearly as much publicity comes from democratic representative Eric Johnson, which seeks to protect citizens from bullying officers as well as criminalize cops who confiscate cameras, only to destroy footage.
This pushes back against Texas Congressman Jason Villalba’s recently-introduced bill, which hopes to add a 25-foot no-recording “halo” around police officers at all times — stretching to 100 feet if the camera operator happens to be armed. Villalba has openly stated that “officer safety” is a greater concern than violated First Amendment rights, which would actually be criminalized if his bill passes.
California has also introduced a bill involving citizen recordings — one that will make an incredibly obvious statement into law… presumably because that’s the only way the state will get law enforcement to respect it.
In California, Senate Bill 411 would amend the state’s penal code to say that simply filming or taking a photograph of an officer performing his duty in a public place does not automatically amount to interference.
“Filming isn’t interference” would seem to be something that shouldn’t need to be inserted as an amendment to criminal statutes. As would the following, which is perhaps even moreinfuriatingly obvious than the sentence above:
Supporters say it protects the First Amendment and clarifies that filming alone does not give police officers probable cause to search or confiscate an individual’s property.
Undoubtedly, there will be law enforcement pushback against the proposed legislation, which should be referenced in the future as the “We Shouldn’t Even Need to Be Telling You This” Act, with “SMDH” as the short title.
Both sets of cameras will help increase law enforcement accountability, but one set is receiving the majority of proposed legislative protections. Shielding body camera recordings from the public eye limits their effectiveness as misconduct deterrents — the very reason they’ve been instituted.
MPAA Wanted Less Fair Use In Copyright Curriculum
During the summer of 2013 we voiced our doubts about an initiative from the Center for Copyright Information (CCI).
The group, which has the MPAA and RIAA as key members, had just started piloting a kindergarten through sixth grade curriculum on copyright in California schools.
The curriculum was drafted in collaboration with iKeepSafe and aims to teach kids the basics of copyright. Unfortunately, the lesson materials were rather one-sided and mostly ignored fair use and the more flexible copyright licences Creative Commons provides.
These concerns were picked up by the mainstream press, creating a massive backlash. The CCI and other partners emphasized that the pilot was tested with an early draft and promised that the final curriculum would be more balanced.
In the months that followed the lesson plans indeed got a major overhaul and last summer the “Copyright and Creativity for Ethical Digital Citizens” curriculum was finalized.
As reported previously, the new and improved version was indeed expanded to discuss fair use principles and Creative Commons licenses. However, as far as Hollywood is concerned it now includes too much discussion on fair use.
TorrentFreak received a copy of a leaked email the MPAA’s Howard Gantman sent to various insiders last summer, explaining what happened. It starts off by mentioning the negative response to the leak and states that the MPAA and RIAA will try to keep a low profile in future, probably to prevent another wave of critique.
Perfect 10 Ordered to Pay Giganews $5.6m After Failed Copyright Battle
Adult publisher Perfect 10 has developed a reputation for making a business out of suing Internet services for alleged copyright infringement.
In recent years the company has targeted Google, Amazon, MasterCard and Visa, RapidShare and Depositfiles, plus hosting providers LeaseWeb and OVH.
Perfect 10 has secured private settlements from several of these companies but has never succeeded in a contested court case. The company hoped that a new suit against Usenet provider Giganews would provide a much-needed victory, but the whole thing has turned into a disaster.
In November 2014 a ruling from the U.S. District Court for the Central District of California found that Giganews was not liable for the infringing activities of its users and last month Perfect 10 was roundly criticized for multiple failings by the same Court.
“Perfect 10 failed to produce any evidence supporting its claim of direct
infringement,” the Judge wrote, adding that it also “failed to produce any evidence supporting its claim of indirect infringement.”While that was a particularly poor way to lose a case, a punishing costs ruling handed down yesterday rubbed salt into Perfect 10’s wounds. The United States District Court for the Central District of California ordered the publisher to pay Giganews $5.6m in attorney’s fees and costs.
Outlining his perception of Perfect 10’s business model, Judge Andre Birotte Jr said that the company hadn’t behaved like a wronged copyright holder.
“Perfect 10’s undisputed conduct in this action has been inconsistent with a party interested in protecting its copyrights. All of the evidence before the Court demonstrates that Perfect 10 is in the business of litigation, not protecting its copyrights or ‘stimulat[ing] artistic creativity for the general public good’,” the Judge wrote.
But that was just the beginning.
“Perfect 10 has never been a self-sustaining business, and to date, has lost more than $50 million dollars, if not more. However, this loss appears to be largely intended by Perfect 10’s President and CEO Norman Zada, who described Perfect 10 [..] as a ‘tax writeoff’,” Judge Birotte added.
“In fact, Zada [said] that he ‘needed [Perfect 10] to offset money he made in the market’ and ‘needed the loss’ to represent how small businesses couldn’t make money because of piracy on the Internet.”
Just how far Perfect 10 has immersed itself in copyright litigation is made in clear in the ruling, with the Judge noting that more than half of the company’s revenues had been derived from settlements and default judgments, with Zada spending “eight hours a day, 365 days a year” on litigation.
“Indeed, Zada admitted that, in the past, Perfect 10 has expressly purchased copyrights from other copyright holders ‘because [Perfect10] thought they would be helpful in [its] litigation efforts’,” the Judge added.
Also of note is that in many of its cases Perfect 10 criticized online service providers for not responding adequately to its complaints under the DMCA, but in Tuesday’s ruling the Judge makes it very clear that Perfect 10 is the party at fault.
“Perfect 10 has a long, documented history of sending service providers inadequate takedown notices under the DMCA that fail to identify specific infringing material, and then bringing suit for the service providers’ failure to respond to deficient DMCA takedown notices,” the Judge wrote.
While the victory will be sweet for Giganews, the company will be particularly pleased with Judge Birotte’s recognition of Perfect 10’s attack on its business model.
“Perfect 10’s unmeritorious claims against the leading Usenet service provider in the country posed a serious threat to the public’s access to free and competitive expression,” the Judge wrote.
In a statement sent to TorrentFreak, Giganews co-Founder Ron Yokubaitis welcomed the ruling.
“This judgment is a complete victory for Giganews, a validation of Usenet as one of the foundational protocols of the Internet, and a recognition of the users who rely on it every day,” he said.
“Online service providers and Internet companies are under assault from copyright trolls like Perfect 10, but we have followed the DMCA since its inception, and are proud to have stood up to the meritless claims of a serial litigator who was hoping for an easy pay day.”
The big question now is where Perfect 10 goes from here. With its business strategy now a record of the Court it seems likely that potential future targets will be less intimidated and settlements less forthcoming.
California bill requires warrant for stingray use
Some actual good news for once
SACRAMENTO, Calif.—A California state bill that would require a warrant to access all kinds of digital data passed its first hurdle after being approved by the Senate Public Safety Committee on Tuesday.
Among other sweeping new requirements to enhance digital privacy, the bill notably imposes a warrant requirement before police can access nearly any type of digital data produced by or contained within a device or service.
In other words, that would include any use of a stingray, also known as a cell-site simulator, which can not only used to determine a phone’s location, but can also intercept calls and text messages. During the act of locating a phone, stingrays also sweep up information about nearby phones—not just the target phone.
How The Copyright Industry Wants To Undermine Anonymity & Free Speech: ‘True Origin’ Bills
As we’ve noted many times in the past, the entertainment industry likes to take a multi-pronged approach to its quixotic efforts to “stop piracy” (which could be much better dealt with by simply giving the public more of what they want). Working on federal copyright law to continually expand it is one main strategy, but there are a lot of others as well, including pressuring private companies to voluntarily censor content, getting international trade agreements to force laws to change and… getting random state laws to force through big changes quietly. This last strategy has come into focus lately, especially with the rise of so-called “true origin” bills, that are almost certainly unconstitutional, but are rapidly popping up in a variety of states. This is actually a replay of an old strategy. I remember similar “true origin” efforts being pushed about a decade ago, and I’d thought they’d completely died out… but they’re back.
The way they work is pretty simple: they outlaw anonymity on the internet if your website distributes any kind of audiovisual work. The point of this is twofold: one, for those who “register” and reveal their name and address, it makes it easier for the RIAAs and MPAAs of the world to sue a site for copyright infringement. And, for those who don’t reveal their names, the RIAA and can ask the states to prosecute the site owners for failing to reveal their names.
BART, The Train Service, Goes After Brewery Over BART, The Beer
Maybe, like me, you thought that the Bay Area Rapid Transit system was only good for illegally shutting down cell phone services in its stations to quiet protests that never actually existed. Well, it turns out we were all wrong about that. BART is also good for insanely stupid trademark oppositions. Take, for instance, the recent dispute between the transit group and FiftyFifty Brewing Company, in which the former is attempting to keep the latter from gaining a trademark on its Barrel Aged Really Tasty brew.
According to FiftyFifty owner/CEO Andy Barr, the B.A.R.T. beer has been a regular offering for several years. It has been sold at the brewery and bottled in limited production for California distribution; he has legal label approval in the state. But FiftyFifty is now ready to expand its current production (~1200 barrels per year) and start shipping over state lines, so as Barr puts it, “it was a time for a trademark.” However, one party is not so keen on FiftyFifty’s trademark application for the B.A.R.T. label: Bay Area Rapid Transit, which obviously shares an acronym with the FiftyFifty beer in question. An opposition was filed.
“We were very surprised to get opposition from Bay Area Rapid Transit,” says Barr, pointing out that trains and beer are very different things, unlikely to cause consumer confusion. “Trademarks are for specific categories. You trademark it for beer, ale, porter. The implication is that we came up with that acronym in order to monetize on the fame of Bay Area Rapid Transit — which is not true,” Barr says.
Court Tosses Child Molestation Charges After Prosecutor Falsifies Confession Transcript
Kern County, California, is apparently no place to seek justice. The Kern County Sheriff’s Department is infamous for its handling of residents — both inside and outside the jail it controls. During a four-month stretch in 2013, the Sheriff’s Department was involved with three in-custody deaths. In two of the three cases, deputies applied a ton of force to arrestees, resulting in de facto death penalties for the crimes they allegedly committed.
The Kern County DA’s office is seemingly no better, although its members aren’t as likely to take such a hands-on approach. Instead, they’d be more apt to falsify confession transcriptions, like assistant DA Robert Murray did.
Kern County prosecutor Robert Murray added two lines of transcript to “evidence” that the defendant confessed to an even more egregious offense than that with which he had been charged—the already hideous offense of molesting a child. With the two sentences that state’s attorney Murray perjuriously added, Murray was able to threaten charges that carried a term of life in prison.
Here’s what Murray added to the transcript:
(Detective): “You’re so guilty you child molester.”
(Defendant): “I know. I’m just glad she’s not pregnant like her mother.”
Murray added this to the English translation of the confession transcription, but not to the Spanish version — the language used for the entire interrogation. He then handed this off to the defense, just as it was advising the defendant to consider a plea deal. It wasn’t until the defense requested the original recordings that Murray finally admitted adding statements the defendant never made — nine days after he turned his edited version over to the defendant.
Here’s Murray’s defense of his actions:
It was only after defense attorney Ernest Hinman confronted Murray about the altered version. Murray said he meant it only as a joke to be kept between the two men [Hinman and Murray].
Haha. Life and liberty are hilarious. It’s only someone’s life in the balance. No better place to deploy a little prosecutorial wit than in the transcript of a police interrogation.
WordPress Wins $25,000 From DMCA Takedown Abuser
Automattic, the company behind the popular WordPress blogging platform, has faced a dramatic increase in DMCA takedown notices in recent years.
Most requests are legitimate and indeed targeted at pirated content. However, there are also cases where the takedown process is clearly being abused.
To curb these fraudulent notices WordPress decided to take a stand in court, together with student journalist Oliver Hotham who had one of his articles on WordPress censored by a false takedown notice.
Hotham wrote an article about “Straight Pride UK” which included a comment he received from the organization’s press officer Nick Steiner. The latter didn’t like the article Hotham wrote, and after publication Steiner sent WordPress a takedown notice claiming that it infringed his copyrights.
WordPress and Hotham took the case to a California federal court where they asked to be compensated for the damage this abuse caused them.
The case is one of the rare instances where a service provider has taken action against DMCA abuse. The defendant, however, failed to respond in court which prompted WordPress to file a motion for default judgment.
The company argued that as an online service provider it faces overwhelming and crippling copyright liability if it fails to take down content. People such as Steiner abuse this weakness to censor critics or competitors.
“Steiner’s fraudulent takedown notice forced WordPress to take down Hotham’s post under threat of losing the protection of the DMCA safe harbor,” WordPress argued.
“Steiner did not do this to protect any legitimate intellectual property interest, but in an attempt to censor Hotham’s lawful expression critical of Straight Pride UK. He forced WordPress to delete perfectly lawful content from its website. As a result, WordPress has suffered damage to its reputation,” the company added.
After reviewing the case United States Magistrate Judge Joseph Spero wrote a report and recommendation in favor of WordPress and Hotham, and District Court Judge Phyllis Hamilton issued a default judgment this week.
“The court finds the report correct, well-reasoned and thorough, and adopts it in every respect,” Judge Hamilton writes.
“It is Ordered and Adjudged that defendant Nick Steiner pay damages in the amount of $960.00 for Hotham’s work and time, $1,860.00 for time spent by Automattic’s employees, and $22,264.00 for Automattic’s attorney’s fees, for a total award of $25,084.00.”
The case is mostly a symbolic win, but an important one. It should serve as a clear signal to other copyright holders that false DMCA takedown requests are not always left unpunished.
Despite Losing Money Year After Year, States Still Wondering How They Can Hand Out BIGGER Subsidies To Hollywood
Fool me once, shame on me. Fool me annually and let me get my checkbook! Losses continue to mount, but some very resilient states are still willing to throw more taxpayer money at the film industry. Michigan — a state that seems to be able to generate at least one fiscal horror story per year — is one of the nation’s most consistent losers. Two years ago, it bet the state pension fund on film-related subsidies… and lost. When the “investment” failed to generate a return, nearly $2 million was removed from the already-underfunded retirement pool. One small town pinned its hopes and dreams on a film project that promised 3,000 new jobs but instead fell apart, dragging the town towards insolvency.
Michigan has made some moves in the right direction after being burned so often by Hollywood and its fleeting, mercenary “interest” in its state. It paid out nearly $100 million in subsidies in 2011, but that number has dropped to $38 million for the coming year. Michigan House Minority leader Tim Greimel is pushing to bring that back up to $50 million, claiming that the program has been a great job creator — an assertion that couldn’t be farther from the truth.